Artist Gallery Exclusivity Agreement
The gallery is also responsible for storing and using custom boxes and shipping containers specially designed for works of art. If you are asked to sign anything, be sure to read and understand each word and know exactly what you agree with. Never ignore or drop out of formalities just to have a show. If there is something you are not sure about, let a lawyer explain it to you. Be especially careful with agreements that require repressive levels of exclusivity are difficult to obtain, have no loophole or “sunset” clauses (where one of the parties has the right to terminate the agreement), or worse that you have to buy your way out. While the “word of honour” does not seem ineffective for collaboration purposes, it is important for the artist and also for the gallery to emphasize that it is a business relationship that can be governed by different types of contracts for sale. Regarding the attachment to their end of an artist-gallery relationship, if you have an exhibition in a gallery and they make the event public, you must be loyal during the show, and probably also for an agreed period after the end of the show. Artists can almost always tell how people learn from themselves and their art. If you think someone is contacting you because they have heard or seen your art in the gallery and you feel they want to walk around the gallery to buy directly from you, send them directly back to the gallery for all the stores. period. The more you respect and honor the gallery, the greater the motivation to sell your art and represent you and show you. Whatever the temptation of an offer, To sell your art directly, whether online or otherwise, if you want to maintain any form of mutual trust and working relationship, you must respect the rules. 3.
Prices and terms of payment. The gallery can only sell the artworks at the sale price listed in the inventory list. The gallery and the artist agree that the gallery`s commission must be the percentage of the sale price of the work of art. Both parties must agree in advance any changes to the sale price or the Gallery Commission. 6. Accounting. It is a good business practice for both the artist and the gallery to regularly compare the list of inventories. Remember, the work on the show is the artist`s property. The investment of time, materials and overload makes the artist the responsibility to be inventoried as much as the gallery. 9. Insurance. Insurance for the full wholesale price should be provided by the gallery.
The gallery is responsible for the franchise in its policy. The artist should have control of all repairs, if necessary. (For more information, check out the artists checklist: claims for damaged work.) Some collectors arrange to pay for the gallery in increments. Even if a gallery accepts this arrangement, the artist should try to negotiate to be paid in full before the gallery keeps the money, instead of having to wait until the end of the staggered payments to receive a cheque.